Last Saturday, Reuters, which is headquartered in London, transmitted two photographs by one of its regular Lebanese freelance photographers, Adnan Hajj, whose work for the agency has appeared in many American newspapers since 1993. An anonymous tipster reportedly drew Johnson's attention to the photos, and he immediately recognized that one purporting to show the aftermath of an Israeli airstrike on Beirut had been digitally enhanced. It subsequently emerged that another image allegedly showing an Israeli fighter launching multiple air-to-ground missiles also had been altered using the common Photoshop computer program.
Those photos have been killed, and all the photos from that freelancer have been removed from the Reuters database. But there's still work to be done.
Many, including grisly images from the Qana tragedy, clearly are posed for maximum dramatic effect. There is an entire series of photos of children's stuffed toys poised atop mounds of rubble. All are miraculously pristinely clean and apparently untouched by the devastation they purportedly survived. (Reuters might want to check its freelancers' expenses for unexplained Toys R Us purchases.) In some cases, the bloggers seem to have uncovered the same photographer using more than one identity. There's an improbable photo by Hajj of a Koran burning atop the rubble of a building supposedly destroyed by an Israeli aircraft hours before. Nothing else in sight is alight. (With photos, as in life, when something seems too perfect to be true, it's almost always because it is.) In other photos, the same wrecked building is portrayed multiple times with the same older woman — one supposes she ought to be called a model — either lamenting its destruction or passing by in different costumes.Is this just the result of random snafus and screw-ups? Maybe not.
There's more, and it's worth your time to take a look. That's one of the undeniable strengths of the Internet and of the blogosphere, and the fact that it is being employed to help keep journalism honest ultimately is to everybody's benefit.
It's worth noting in this context that there is no similar flow of propagandistic images coming from the Israeli side of the border. That's because one side — the democratically elected government of Israel — views death as a tragedy and the other — the Iranian financed terrorist organization Hezbollah — sees it as an opportunity. In this case, turning their own dead children into material creates an opportunity to cloud the fact that every Lebanese casualty, tragic as he or she is, was killed or injured as an unavoidable consequence of Israel's pursuit of terrorists who use their own people as human shields. Every Israeli civilian killed or injured was the victim of a terrorist attack intended to harm civilians. That alone ought to wash away any blood-stained suggestion of moral equivalency.
That brings us to the most troubling of the possible explanations for these fraudulent photos, which is that some of the photojournalists involved are either intimidated by or sympathetic to the Hezbollah terrorists. It's a possibility fraught with harsh implications, but it needs to be examined thoroughly and openly.